Mastering & Creating Your Last Mix Like the Pros (Mastering Process).

The mastering process permits you to carry out last changes after you have actually blended your multitrack recordings down to two stereo tracks (we'll leave quad and 5.1 surround-sound scenarios for another day.) Some adjustments are made to improve a specific tune's sonic quality. Others are made within the context of an album - making sure that numerous songs strung together have a similar sonic "consistency." Typical locations of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing in between songs. Equalization: In some cases you'll want to change the eq or compression on a mix after you have actually done the last mix. Or you may have ten songs blended by 3 different engineers in five various studios.

Each song's eq might seem best by itself, but if you series them together, all of a sudden one tune sounds too brilliant (or too dull ...). Tip # 1: keep in mind that any eq changes to your stereo mix impact the whole mix - if you desire to cut 3 db at 80Hz since your mix sounds muddy, keep in mind to inspect how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is used not simply to control a mix or to include character, but also to "print" or send out as much level to the master as possible without clipping the signal.

Spacing & Crossfading.

Spacing: there are different philosophies regarding how one should approach the areas put in between songs on a record. Some feel the downbeat of one tune should fall at the start of a brand-new bar, in the pace of the previous song (to continue the circulation.) Others think you need to avoid this like the pester, because it lessens the impact. In the end, do whatever feels. There is no standard. Cross-fade your tunes if you like, or place 6 seconds between them. (2-4 seconds is common in the majority of popular, non-classical records, but it depends on you.) Final idea: you may be inclined to master the exact same recordings that you combined, whether it is for financial factors, creative factors, or simply since you can. We highly recommend that you get someone else to master your task. The objectivity and fresh ears they give the table usually result in a more powerful, more cohesive album.


Common locations of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing in between tunes. Or you may have ten tunes blended by three different engineers in 5 various studios.

Each song's eq may appear best by itself, but if you sequence them together, all of a sudden one tune sounds too bright (or too dull ...). Suggestion # 1: keep in mind that any eq Hip Hop Beats modifications to your stereo mix affect the whole mix - if you want to cut 3 db at 80Hz due to the fact that your mix sounds muddy, keep in mind to check how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is utilized not simply to control a mix or to add character, but likewise to "print" or send out as much level to the master as possible without clipping the signal.

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